A guest on several past spotlights, I'm pleased to welcome back Brandi Lyn Dalton to talk about her films "Blood and Breakfast" and other upcoming projects.
Me: Hello, and thank you for returning to this! Since last we’ve spoke, you’ve been involved in the release of the recently-released “Blood and Breakfast” on streaming services. What can you tell us about the film?
Brandi Lyn Dalton: Hello Don, thank you for inviting me back. I always look forward to discussing the Women in Horror Movement and enjoy reading stories and journeys from other women in the industry. I’d like to share a bit about 'Blood and Breakfast,' which is currently streaming on Tubi and available on Blu-ray and DVD from Blood Pact Films.
Me: Playing the role of Natalie, what was it like to play that type of character? What got you into her mindset while filming?
BLD: In the film, I play Natalie, the proprietor of a historic inn where a group of strangers—each an escapist serial killer—find themselves trapped with one of their own. It’s a 'whodunit' soaked in blood. It's been a blast, and I really enjoyed playing a Jekyll and Hyde-type of character.
Me: What has the reception to the film been like? What has been the most memorable experience you’ve had since it came out?
BLD: We've had several well-received showings, and the film was recently showcased by Terror Cards as a feature collectible card series. I was honored to be their 'Kiss Card of the Month' for November, followed by the release of several collectible cards featuring my character and scenes from the film.
Me: Outside of this, you’re also involved as an actress with several shorts, including “Final Cut” and “The Last Interrogation.” What can you tell us about your experience on these projects?
BLD: Outside of 'Blood and Breakfast,' I’ve been involved with several other projects. I participated in the 48 Hour Film Project with the State Werx team, where we created a horror film called 'The Final Cut.' I also worked on a few short films—'The Last Interrogation' and 'Parasomnia'—with Lance Vision Films.
Me: As well, you’ve also been announced for other upcoming films like “These Things,” “Following,” and “Quattro,” among others. With a stacked cast of talented indie actors and actresses involved, what are you most looking forward to getting to work with familiar names and those you haven’t worked with before?
BLD: With Key 13 Films, I played an evil government agent in ‘These Things' and a coach in 'Following.' In 'Quattro,' I had several small roles, and I was honored to contribute special effects alongside Kraig Sturtz, who is amazing and created the creatures for 'These Things.' My most recent role was a small cameo in 'Boomtown: A Story of Frederick,' located in Frederick, Maryland, where I portrayed the mayor’s secretary.
Me: With the frequent work often bringing plenty of opportunities to work with friends and colleagues on multiple projects, does that help to make grueling shoots more enjoyable?
BLD: It’s always nice to work with familiar faces, but I really enjoy meeting new talent.
Me: What else are you working on that you'd like to share with our readers?
BLD: There are lots of new films in the works, and we will start filming again this spring. A few titles to look for include 'Katie 2' and 'Killer Woods 2' with Jeremy Scott Studios, 'Ghosted' by Awesome Amen, 'Georgie’s Returned,' a tribute film by Schmucker Productions, and 'Lights, Camera, Cappin ' where I’ll be playing Madeleine, written by Romel Xavier Morales. I’m also in his other film, 'Uncalculated,' where I play CSI Stanton, dropping this summer. Another project I’m excited about is 'Informant,' a true detective film series by Mitch Credle, where I portray a news reporter who actually reported the story. I found it very interesting to study her mannerisms, and I hope I make her proud.
Me: Lastly, being that this is our Women in Horror Movement, what special message do you have for any women out there looking to join in the industry in any capacity as you are one yourself? Thank you again for your time!
BLD: In closing, as a woman in the horror industry, I encourage anyone looking to join to dive in headfirst! Find your niche—be it special effects, writing, directing, or acting—and hone your craft. Don't be afraid to collaborate and network with others; the horror community is incredibly supportive. Most importantly, bring your unique perspective and experiences to the table, because diverse voices are what make the genre thrive. I’d like to thank you again for having me participate."



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