As has become custom for us over the past few years, we've become part of the publications that have been able to cover the work of the Fantasia International Film Festival. One of the longest-running and most impactful genre festivals in existence, the amount of great stuff present in the past few years that have gone on to great acclaim following wide-scale releases is a testament to the greatness of the festival itself. To that end, we've prepared a special primer here with ten of the top choices we're looking forward to the most, in no particular order, for this year's series of selections running from July 20 through August 9.
LOVELY, DARK AND DEEP is the hotly anticipated directorial debut of Teresa Sutherland, screenwriter of THE WIND and a writer on MIDNIGHT MASS. Laced with stunning visuals, this ominously beautiful, deeply frightening nightmare is anchored by a captivating lead performance from BARBARIAN’s Georgina Campbell. Campbell plays a park ranger in an isolated forest outpost, the site of multiple mysterious disappearances, and she is plagued by visions blending the past and present with something even more sinister. This transfixing film oozes an immersive, fever-dream atmosphere. Also starring Nick Blood, Wai Ching Ho, and Edgar Morais.
Darkest prayers will be answered, in sawdust and sacrilege, when Fantasia goes WHERE THE DEVIL ROAMS. This astonishing new feature from cult favorites The Adams Family (Toby Poster, John Adams, Zelda Adams), follows a family of traveling sideshow performers as they traverse Depression-era America on a bloody search for eternal life. As in THE DEEPER YOU DIG and HELLBENDER, both Fantasia World Premieres, the gifted filmmaking family’s latest creation continues their inspired explorations of familial power dynamics through the prism of horror. Haunting, poetic, sometimes funny, frequently freakish, and told with conviction through a deeply personal lens.
At last, acclaimed horror auteur Larry Fessenden has fulfilled his long-held desire to make a werewolf film, rounding out the triptych begun with his vampire drama HABIT (1997) and FRANKENSTEIN variation DEPRAVED (2019). Fessenden, as always, makes BLACKOUT a very human story as well as a gripping horror show while weaving in his traditional focus on socio-political themes, from his long-held ecological concerns to very modern issues of suspicion and paranoia. Starring Alex Hurt, Addison Timlin, Marshall Bell, James LeGros, Barbara Crampton, and Joe Swanberg.
Jenn Wexler’s THE RANGER, a high-octane punk rock banger, exploded onto the genre landscape in 2018, and now she’s back with her sophomore feature THE SACRIFICE GAME. Filled with gore and lore, indie filmmaker Wexler penned this gripping and stylish ‘70s-set chiller involving school girls, power-mad killers, and occult prophecy with partner Sean Redlitz. Shot in Quebec, this breakneck horror film stars Mena Massoud (EVOLVING VEGAN and ALADDIN), Olivia Scott Welch (LUCKY HANK, FEAR STREET Trilogy), Gus Kenworthy (AMERICAN HORROR STORY), Georgia Acken, Madison Baines and features the return of THE RANGERS’ Chloë Levine. You won’t want to miss a second of THE SACRIFICE GAME!
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces. An astonishing feature debut from Australian filmmakers Danny and Michael Philippou, TALK TO ME is an exhilarating roller coaster that balances imaginative scares with emotionally nuanced characters and an ingeniously original concept. It became an instant classic from the moment of its lauded Sundance premiere, and Fantasia couldn’t be prouder to host the film’s national debut. Stars Sophie Wilde, Alexandra Jensen, and Miranda Otto.
Bangladeshi folklore is rife with ghosts and unforgiving spirits, all deeply connected to its people’s collective history of injustice and societal dread. PETT KATA SHAW, an anthology inspired by oral legends from Bangladesh, is written and directed by Nuhash Humayun, the breakout star of Bangladeshi horror cinema. Winner of the Midnight Shorts Competition at SXSW as well as a Gold Audience Award at Fantasia 2022, his short film MOSHARI is the first Bangladeshi production ever to qualify for an Academy Award, catching the attention of Jordan Peele and Riz Ahmed. Reinvented in a contemporary setting, the spine-chilling tales of PETT KATA SHAW don’t shy away from issues such as mental health, religion, climate change, and gender roles.
Though just eighteen years old, Alice Maio Mackay (SO VAM) is a fearless heir to the Queer Horror Canon. T BLOCKERS, her third feature, is an unapologetically trans homage to INVASION OF THE BODY SNATCHERS brimming with youthful energy and a punk attitude. Equal parts gross-out comic horror and heartwarming coming of age, T BLOCKERS is about a young trans filmmaker obsessed with a thought-to-be long-lost film and the spread of a violent infectious parasite. Mackay channels Gregg Araki and John Waters in this playful and defiant sci-fi horror.
The 27th edition of the festival will end on an especially riotous note with the World Premiere of WE ARE ZOMBIES, the latest from internationally beloved Quebecois cult collective RKSS (SUMMER OF ’84) - François Simard, Anouk Whissell, and Yoann-Karl Whissell. Based on the comic LES ZOMBIES QUI ONT MANGÉ LE MONDE (The Zombies that Ate the World), the film is set in a society where zombies, referred to as “living-impaired,” roam among us with no urge to eat flesh. The film stars Megan Peta Hill (RIVERDALE), Alexandre Nachi (1991), and Derek Johns (THE BOYS). Also on board is RKSS mainstay Jean-Philippe Bernier, handling both the cinematography and the pulsing electro soundtrack with his duo Le Matos.
The first amongst her group of friends to hit puberty, 12-year-old Zaffan (Zafreen Zairizal) feels her body changing. In the small rural village in Malaysia where her life is structured around the rules of the school and the Muslim faith, this could become a problem…a monstrous problem. The first Malaysian film to win the Grand Prize at Cannes’ La Semaine de la Critique, Amanda Nell Eu’s TIGER STRIPES is a delightful addition to the canon of feminist, horror-tinged coming-of-age films: a striking debut that showcases an infectiously rebellious filmmaking spirit and a DIY energy that comes once in a blue moon.
Winner of Fantasia’s 2016 Jury Prize for Best International Short for A NEARLY PERFECT BLUE SKY, celebrated writer/director Quarxx returns to the festival with the stunning new feature PANDEMONIUM. Drawing on themes found in Dante’s Inferno and Milton’s Paradise Lost, the film is a multi-textured existential fantasy topped with signature notes of visceral horror, disturbing fairy tale, wry comedy, and thrills. Exploring the many faces of death — suicide, murder, illness, accident — Quarxx dives deep into the notion of sin without redemption and the frailty of the human condition through the waking nightmare of one confused traveler (Hugo Dillon) who refuses to abandon all hope as he enters the gates of hell.
These are just some of the films we hope to be able to provide coverage for over the course of the festival. Be sure to stay tuned to these pages as we feature the wild and spectacular films to come in this year's edition!
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