Director: Jerry Sommer, Carl Rimi
Year: 2025
Country: USA
Alternate Titles: N/A
Genre: Supernatural
Plot:
Returning home from the war, a retired Army veteran decides to hold a housewarming party with his friends and family at a new farmhouse he’s purchased, but when his struggles with the war threaten to interfere in the night, a demonic possession proves to be the least of his worries.
Review:
This was a fairly fun if somewhat flawed genre effort. When this one works well is due to the main setup involving the means of possession and how the group is caught up in the act. The initial gathering at the house and letting everyone go through their initial introductions showing them trying to bond over the past and what happened to them while they were in the war which starts to affect the rest of the trip gets this one off to a strong start with the whole thing bringing up the possession incredibly well. As the traumatic events in the past get shared and the idea of the possessed figure forcing them into the open to discuss the issues they’ve long since forgotten about and buried, it causes the film to delve into an uncomfortable series of discussions and revelations about what’s going on that include infidelity, accidental pregnancies, and other incidents that are soon revealed leading to plenty of graphic deaths here for a lot to like about it.
While these features come together rather well, the whole thing is soon undone by the inability to make the possession a prominent threat at the expense of the trauma porn the rest of the film delves into. After setting up the stages of the possession and whether it’s true or not, the individual simply sits soundly doing nothing, letting the others play out their conversations without interference. This drastically reduces the tension and fear of what’s going on by going for endless dialogue scenes about their tortured pasts and buried secrets, without getting the kind of supernatural action that was promised when it was initially brought about, that a demonic possession was bringing up. That causes the other issue here in that it focuses so heavily on these aspects of grief and trauma that it’s not nearly as interesting or thrilling as it thinks it is going through the mindset as it falls into a series of cliches that are part of the genre inherently through using these tactics, all of which bring this one down.
Overview: ***/5
A rather fun if overall flawed possession effort, there’s enough to like here that makes for a fun time to overcome some pretty big issues that do present themselves to hold it back. Those with an interest in the subject matter or are curious about it will have the most to enjoy here while most others out there should heed caution.
Comments
Post a Comment