A writer, director, and producer among other notable roles, Shannon Ford Thompson has crafted a fine start to her career not just with her own productions but also forming the company Rock with Siren LLC to help create her way in the industry. Now, in honor of Women in Horror Month, I talk with her about her early interest in the genre, working on some of their past projects, and plans for her upcoming film "Just One Night."
Me: Hello and thank you for taking the time to do this.
Shannon Ford Thompson: No thank you for this exciting opportunity. I love that we are celebrating women in Horror. We are a rare breed for sure!
Me: First off, when did you get into horror in general?
SFT: Dipping my toes into the shallow end of horror began with Robert Englund's Freddy Krueger. Observing the fusion of humor and horror helped me gain a deeper appreciation for the intricacies of kill scenes and the genre itself. "A Nightmare on Elm Street" held a special place, as its mixture of Freddy's twistedly comedic remarks and dark nature consistently left an impact. Interestingly, my fascination with Robert Englund extended to his portrayal in "Phantom of the Opera." His voice and commanding presence captivated me.
Me: What films specifically got you into watching horror movies?
SFT: Movies like "A Nightmare on Elm Street," "Return of The Living Dead," "Poltergeist," and "Bram Stoker's Dracula" formed a chain of fascination for me. Each one paved the way to the next, igniting a growing interest that only expanded further.
Me: When did you first discover a passion for filmmaking? Were you always interested in the creative arts growing up?
SFT: Since I was very young, I've harbored a dream of becoming a film director. In my childhood, I created elaborate film sets using my Barbies and their Barbie dream house. Go ahead and laugh, those Barbies were GREAT ACTORS and ahead of their time LOL! As a young teenager, my father fueled my love for cinema by taking me to various movies, where we analyzed every aspect, from the structure of acts to lighting, camera angles, color schemes, and especially the intricacies of special effects shots. After each film, my father's first question was always, "How do you think they did that?" This sparked lively discussions where we brainstormed creative ways those effects could have been achieved. Even now, my father and I continue to bond over our shared enthusiasm for films like "Dune" and "Mad Max." I taught myself how to write a story by watching those films and breaking them down into beats. Although I had no idea that was what I was doing at the time.
Me: Having worked on various aspects of film production, do you have any particular preference for working on any?
SFT: I thrive on crafting imaginative concept ideas, and I feel a profound connection with my role as a film director. Despite my expertise in technology with VFX and editing, which I consider my secondary passion, I've found that these skills have greatly enhanced my capabilities as a director. Recently, I've been dedicating more time to writing, and I've noticed that the more I delve into topics I'm passionate about, the more it seems to alleviate the disability I struggled with as a kid.
Me: Having worked on several short films early in your career, what tools and skills do you acquire working on those that are transferred to future film projects?
SFT: The journey through our short films has significantly influenced my perspective and approach to filmmaking, shaping not only my own growth but also that of our team. Surrounding myself with knowledgeable and trustworthy individuals who share effective yet kind communication has cultivated a dynamic where our team seems to anticipate my vision without explicit direction.
The impact of "Tell Him" extended beyond the screen, more specifically finding real treasures at Kevin Smith’s Film Festival at Smodcastle in New Jersey. While our film may not have garnered awards, what we did gain were invaluable connections—a knowledgeable and talented producer, Leticia “Letty” Buchanan, and cinematographer Eddie Lebron. Our paths crossing feels like more than mere chance; two goths networking through our films, it seems destined. In the short time we've collaborated, opportunities have begun unfolding, signaling a promising future for all of us.
I traveled to New Jersey and New York a few more times really building a relationship with them until I realized there was no one better to work on our debut feature "Just One Night" but them. That decision has already exceeded that story by leaps and bounds.
Me: As a major driving force in the production company Rock With Siren LLC, what initially inspired you to become involved in the company? What do you provide for others through your work?
SFT: Personally, my journey in art has always been intertwined with Rock with Siren. From editing films, art direction, design, even with my photography. Recognizing the need to grow into the next phase was vital. I transitioned into a Limited Liability Company (LLC). Opting for this legal structure was prompted by Georgia's enticing tax incentives for local filmmaking endeavors, thereby enabling me to both bolster my community and economize during the creative process.
Currently, Rock with Siren LLC oversees two distinct entities. The first is Buried Alive Horror Film Fest, situated in Atlanta, GA. The second addition is fostering my husband's company Bad Seed FX, a dynamic production company specializing in crafting props, special effects, and set designs catering to film productions, theatrical sets, and haunted attractions.
Our overarching ambition with Rock with Siren is to establish it as a premier film production hub, catering to major studios eyeing Georgia's burgeoning industry landscape, as well as nurturing emerging independent filmmakers.
If people one day considered Rock with Siren to be similar to A24 or Lucasfilm, I would say we made it. Those are big stars to reach for and we are working hard at it.
Me: As you have established a working relationship with your partner Leticia Buchanan, how has your partnership and relationship evolved over time?
SFT: Bringing Leticia Buchanan, affectionately known as "Letty," on board as the executive producer for "Just One Night" has proven to be an absolute game-changer for both the film and Rock with Siren. From the moment she joined our team, her unparalleled work ethic and unwavering attention to detail have propelled the narrative of "Just One Night" exactly where I had envisioned it. Her impact has been nothing short of transformative, opening doors of opportunity and unleashing a wave of creativity that knows no bounds. Letty's adeptness at handling the business aspects of the film has allowed me to focus on the creative process with renewed vigor. In fact, her contributions have been so remarkable that I felt compelled to invite her company, "Love Your Face Films," to co-produce this project, a decision I am immensely grateful for on both a professional and personal level.
In addition to Letty's invaluable contributions, the inclusion of co-producer and cinematographer Eddie Lebron has added another layer of brilliance to our team dynamic. Together, Letty and Eddie form a dynamic duo whose collaborative efforts promise to propel us to new heights of success.
What truly sets Letty and Eddie apart is their deep understanding and appreciation of the Goth culture, a shared affinity that has enabled us to intricately weave the essence of this subculture into the fabric of our storytelling. Beyond mere colleagues, we've forged a bond that transcends the confines of a traditional working relationship—we've become a film family, united in our passion for storytelling and committed to supporting one another's creative endeavors. Together, we are poised to embark on an unforgettable journey, fueled by camaraderie, creativity, and an unwavering dedication to our craft.
Me: That brings us to your latest project, "Just One Night." What can you tell us about the film?
SFT: Our journey with "Just One Night" has been filled with opportunities, transitioning from full-force momentum to a temporary pause as we explore these possibilities diligently. Our commitment to the film, our mission of inclusivity, and our team remains unwavering, driving us to thoroughly explore each avenue before with a public campaign.
Amidst this exploration, one thing remains certain: "Just One Night" is poised to captivate audiences. Set in the 1980s, this gothic horror tale centers around Raven, who inherits both a fortune and a property steeped in a very tragic history. As we navigate these exciting prospects, one thing is clear—"Just One Night" promises to be a cinematic experience, blending elements of nostalgia, intrigue, inclusivity, and suspense to deliver a story that will linger in the minds of viewers long after the credits roll.
We promise to have everything audiences love while still having a unique story where you will sit and ask yourself, How did they do that? Just like I did when I was young with my father.
When reflecting on the iconic monsters that laid the foundation, names like Dracula, Vampira, The Creature from the Black Lagoon, and Frankenstein come to mind. These figures embody the essence of Gothic culture. Enthusiasts of this subculture are known for their penchant for collecting VHS tapes of classic horror films, and their everyday attire often evokes the atmosphere of a Dracula novel. Some even find solace in sleeping within coffins. The allure of horror has always been its darkness—a realm where morbid romance intertwines with gothic aesthetics. This is precisely the essence we aim to resurrect on the screen, emphasizing practical effects wherever possible.
Me: Where did the inspiration for the film come from? Were there any unique stories about its conception?
SFT: In July of 2020, my family and I embarked on a journey to Geneva, Florida, where we lodged in an RV nestled within a secluded property surrounded by horses (View Pictures).
Upon entering the property and securing the gate, we found ourselves disconnected from the outside world—our cell phones rendered useless. To obtain even a hint of reception, we had to journey five miles down the road. Despite attempts to utilize the RV's hotspot, it remained futile.
After staying at the property for 7 days, eerie occurrences all started happening in Just One Night. The situation that unfolded left us wondering if we would actually survive. In the weeks leading up to our visit, I found myself inexplicably waking up at 3 am, and during that one night, I wondered if was I being warned to stay away from an outward phenomenon?
We lived through a very frightening experience and when the sun came up in the morning it all turned out to be nothing. On our drive home, we started writing a story and here we are today.
So yes it is inspired by true events. This will be our first big venture working toward a heavy-handed practical FX.
Me: What characteristics did you look for with each performer that they brought to the table that helped bring the production to light?
SFT: I seek individuals who can immerse themselves in the role, truly living and breathing it. My writing often draws inspiration from personal experiences and the people I know, crafting characters that resonate deeply with their real-life counterparts. This approach ensures that when I cast, I choose individuals who can effortlessly slip into their roles, as they naturally align with the characters they portray.
Me: What are you most looking forward to with its upcoming release?
SFT: Creating meaningful art and sharing it with the world. The production process of creating art can be very healing and I am really looking forward to releasing my struggles in life and sharing my love for it as well.
Me: How do you do to keep your creative energy flowing?
SFT: I am a film director who cherishes art and music, I sustain my creative energy by immersing myself in diverse sources of inspiration, from art galleries, and dancing to live performances. Time spent outdoors and mindfulness practices keep me grounded and refreshed. Additionally, meeting new people from all cultures and walks of life enriches my creative process, offering fresh perspectives and ideas. Collaborating with like-minded creatives and continually expanding my knowledge within the filmmaking industry also fuels my creativity, allowing me to approach filmmaking with passion, innovation, kindness, love, and inclusivity.
Me: What else are you working on that you'd like to share with our readers?
SFT: Right now, my primary focus professionally is on "Just One Night," a project that consumes much of my time and energy. It's not just about crafting a film; it's about getting it right—for myself, my family, the goth community, and my friends. Every aspect of this endeavor is imbued with personal significance, driving me to pour my heart and soul into ensuring its success. While "Just One Night" commands my full attention at the moment, I am always open to exploring new creative ventures in the future, as opportunities arise and inspiration strikes.
As the Director of the 17th annual Buried Alive Film Festival, I am dedicated to ensuring its success as we prepare to return to the Plaza in Atlanta, GA, from November 7th to 10th, 2024. With a focus on showcasing the best of the horror film genre, preserving the spirit of this beloved festival is paramount to me. Having proudly overseen its growth over the past 17 years, I am excited about the journey ahead as we aim to reach our milestone 20th celebration.
Me: Lastly, being that this is our Women in Horror Movement, what special message do you have for any women out there looking to join in the industry in any capacity as you are one yourself? Thank you again for your time!
SFT: As a woman deeply entrenched in the horror industry, my message to aspiring female filmmakers and creators is simple yet profound: we don't make movies with our genitals; we make movies with our heart and soul. Our gender doesn't define our ability to craft compelling stories or deliver captivating cinematic experiences. Instead, it's our unique experiences, perspectives, and the depths of our imagination that drive our creativity. I want to inspire and motivate fellow women to pursue their passion for filmmaking, to fearlessly share their stories, and to show the world that we are capable of overcoming any obstacle and achieving anything we set our minds to. Let's continue to break barriers, challenge stereotypes, and pave the way for a more inclusive and diverse industry.
Have you ever heard the saying "hell hath no fury like a woman scorned"? Well, this woman is raising hell in our film “Just One Night.” This film promises to be so violent, and brutal that you will wonder just who made this film. Wait till I show them what a girl can do.
Harness that Power friends!
It's why we have a lightning bolt in our logo!
This interview ran as part of our 2024 Women in Horror Movement celebrations! Click the banner below to check out our complete coverage:
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