Bull Shark (2022) by Brent Bentman


Director: Brent Bentman
Year: 2022
Country: USA
Alternate Titles: Blood in the Water
Genre: Sharks

Plot:
After a series of strange attacks, the sheriff and game-warden at a small-town lake community slowly realize the stories about a killer bull shark living in the area are true and set out to corral the shark from attacking the community while trying to keep it quiet from the public.

Review:

This was a rather problematic indie shark movie. Among the few things this gets right is the generally fun series of attacks here that manage to overcome the low-budget indie setup in place. The initial attacks with the swimmers in the lake, including those that get dragged underwater and chomped on, generate some decent enough sequences to get an idea of what they’re dealing with. The realism of the scenes featuring the shark just coming up and chomping on victims in a normal, grounded setting is quite fun that goes hand-in-hand with the equally grounded encounters trying to kill it. Relying on the more realistic nature of keeping the hunters in realistic boats and not going overboard with the stunt-work and action which is a nice touch that gives this some likable features. It’s not that much but it keeps this one going somewhat.

There are a few issues with this one. One of the main drawbacks here is the rather uninvolved setup that takes quite a while to get to anything interesting due to a flurry of cliches and formulaic setups. The focus on the family squabbling through a divorce due to his drunken habits, or alcoholism that’s led to the divorce makes for a troubling start here filled with uninviting and cliched setups with family drama to start the film. The different forms of trouble found at the office, with the different offices attempting his contact him or going through the motions of contacting him for their own means manages to drag this one down even further into a slough that’s rather hard to overcome since hardly any of these tie into the other storylines at play with a disjointed appearance. That doesn’t take into account the fact that a majority of the story is so disjointed and chaotic that its somewhat difficult to stay invested. Not only is this beginning tough to get into, but the secondary storylines involving the family strife and cover-ups that try to hide the shark’s existence are also equally uninteresting and just fuel cliched setups that affect the pacing.

As well, that also doesn’t take into account the usual tropes surrounding this one including the highly underwhelming special effects at play. With the shark being shown in a rather intriguing anatomically-accurate-yet-obviously-CGI setup, that manages to make the shark look quite goofy and cheesy as a result since the focus on continuing the highly aggravating tactics of using it look cheap. Not fitting into the environments, looking out of place due to the insertion into different settings and the ever-prominent dimension changes that take place which keeps it looking pretty underwhelming. Since there’s not much in the way of practical effects here or even blood and gore featured here, this all helps to make it feel somewhat underwhelming.


Overview: */5
While being problematic and brought down by some big flaws, that there are a few positives manage to make this one enjoyable enough to not be completely worthless with those factors in place. It’s mostly a look for those that appreciate the genre more than anything else but most others who are turned off by the style or approach should heed caution.

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