The Whispering Man (2020) by József Gallai


Director: József Gallai
Year: 2020
Country: Hungary
Alternate Titles: The Surreal Project
Genre: Supernatural

Plot:
Intrigued by a local legend, a Youtube vlogger tracks down a mysterious painting in the family from his youth, and after bringing it back to his house he and his friends start to experience a series of strange paranormal encounters come to believe the figure in the painting is haunting them.

Review:

This was a pretty enjoyable found-footage effort. Like most genre films, the early introduction to what’s going on is quite enjoyable where the need for the entire expedition is covered. Getting to know why he’s chasing the picture down and what he needs it for is laid out early enough to allow for a bit of clarity as to what he wants with the painting. The backstory assigned to it with his family’s history with it and his own experiences start this off on a nice note which is a big plus leading into the rest of the film.

That this is all about a rather intriguing diversion in the second half featuring a chilling detour to a closed-down and decrepit hospital is quite enjoyable. The atmosphere of the location is quite impressive, much like the thrilling series of encounters here that take great advantage of the creepy confines as well as the darkness to create some tense moments. The found-footage format is put to outstanding use here traversing through the hospital grounds and generates some impressive elements throughout here.


This becomes quite prominent in the latter half of this where it’s all the more obvious how the impact of the painting around them has impacted the group. With the paranoia starting to get quite obvious and expected based on being around it as long as he has, the way it goes for these intriguing and quite creepy ideas where he goes from normal to unhinged based on the activities present which has quite a lot to like. Combined with a steady pace and some likable leads, these are what allow the film to be as good as it is.

There are some issues here. One of its biggest problems is the wholly unrealistic storyline about the desire to stay and keep studying the painting, where everything that’s happened is justifiable enough to leave it behind yet the argument to stay doesn’t make any sense. Losing sleep and only saying that they’re close to solving it isn’t enough of a reason to stay there, causing it to feel incredibly familiar as a result. This is a major factor against the film as a whole with so much of this being quite obvious and predictable, yet that doesn’t mean it’s to be dismissed as a result.


Overview: ****/5
Filled with some great atmosphere, an intriguing mystery and a few chilling moments throughout here, these are generally enough to help this one overcome a few minor slipups in its general familiarity and predictability. Give this a shot if you’re a fan of the creative crew, a found-footage fanatic or wholly curious about this one, while those who aren’t interested in the style or subject matter might heed caution.

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