Detention (2019) by John Hsu


Director: John Hsu
Year: 2019
Country: Taiwan
Alternate Titles: Fanxiao
Genre: Ghosts

Plot:
In the White Terror period of Taiwan, a female student and several colleagues trying to keep a secret book club that reads forbidden foreign propaganda away from the authorities find the area being haunted by wrathful spirits and tries to find the cause of the hauntings to ensure the safety of her friends.

Review:

There was a lot to like with this one. Among the better features present here is the film’s setup that enables for a generalized setting of the period this one takes place. Focusing on the political turmoil prevalent at the school, ranging from the military takeover banning everything that contained a different form of ideological viewpoint, torturing those who practiced or performed any action that was perceived as threatening to their ordered control allows us to dive into this world rather quickly and efficiently. The need to do their book club in secret under the ruins of the school for fear of being discovered, the constant threat of being captured and forced to confess their actions, and constantly worried about being monitored for their actions is all brought together to form a rather enjoyable environment to set this one in making the actual historical events such an important part of the storyline.

As well, the film has a lot to like with the haunting scenes that take place as the horror elements here are quite enjoyable. The scene of the girl wandering through the darkened school hallways with only a candle for light while chasing after a colleague only to come across a ghostly figure coming after her serves this rather nicely with a lot of suspense of the ghost coming slowly after her all the while it’s nearly impossible to tell if it’s a dream or not. A later scene of several students having to hide inside the school ruins to escape a strange creature following them, a race to get away from a monstrous figure chasing them through the campus which allows for some nice action while the finale has some of the most genuinely chilling and creepy sequences in the film as the purpose of the hauntings tying into the political control angle from the first half. It’s action-packed and quite intense, making for the film’s overall likable qualities.

There are a few issues with the film. One of the main problems is the traditional overlong running time common in Asian horror where this one focuses on unnecessary side plots or sequences that don’t need to be here. From the girls’ romance with the soldier to the bland conversations focusing on their secret group of students and soldier trainees trying to keep their operations quiet, these scenes don’t go anywhere original or clever which is a real shame. Likewise, they tie into the other big problem with the overbearing political tangents where the military in charge of the school is constantly reminding people about their purpose for being there and the overwhelming sense of nationalistic duty is the predominant factor in the film instead of the ghosts. It’s somewhat easy to forget they’re even a factor in the film at all based on their lack of attention throughout here despite how creepy their scenes are, making for a troubling time overall.


Overview: ***.5/5
Despite some instances where it gets pretty chilling and features some enjoyable ghost action, that this one tends to focus on other elements and themes instead of the horror doesn’t bode well for this one in the long run. It’s worth a watch if you’re into Asian horror or ghost movies in general, but those looking for a more straightforward genre effort will be turned off by the lack of attention that receives here and should heed caution due to that.

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