Butterfly Kisses (2018) by Erik Kristopher Myers


Director: Erik Kristopher Myers
Year: 2018
Country: USA
Alternate Titles: N/A
Genre: Supernatural; Mockumentary

Plot:
Working on a thesis project, a film student attempting to explore the truth behind a local boogeyman falls victim to the terrifying being, forcing a filmmaker to assemble the footage and complete the film for a documentary crew only to wind up going down the same roads of insanity himself.

Review:

Overall, this was an interesting and somewhat chilling effort. As with the majority of these kinds of films, the fact that the central premise of the project is based on a creepy concept works nicely. The central core of the local legend, a hooded figure that appears out of a local tunnel after performing a specific ritual and then begins to haunt the individual based on the ritual, is the kind of story that easily fits within a small-town urban legend that would exist. The manner in which this springs out of the film into their world as his obsession to get to the truth about the strange phenomenon he's filming soon grows to incredibly lengths due to the desire to get the adulation for having been proven true through the guise of several familiar and effective jump scenes regarding the figure as it seems to appear in their footage. There's plenty of unnerving and chilling work of the creature throughout here as the concept for it's appearance offers several chilling encounters.

Likewise, the other exceptionally enjoyable aspect of this one is a truly fascinating look at the concept of found-footage verses the documentary. As the filmmaker attempting the original project rightfully observes, the original footage in the truest context of the word is found-footage yet the documentary he is making clearly isn't so his claims about them being otherwise clearly is false. That this is in turn being covered by a documentary film crew exploring the realization of the original tapes brings the entire concept into a wonderfully meta conception invoking the commonly-known concept of the director letting the audience see only what he wants you too which allows the lines between reality and fantasy to get blurred as he begins to spiral out of control in an effort to get people to believe the truth about his project. This is what drives the final half of the film and is what really holds this one up.

This one does have some flaws to it. The majority problem here is the fact that the majority of the documentary is about the arrogant, self-righteous filmmaker who alienates everyone around him, thinks everyone has to bow down to him for what he's found and has to be the authority on the matter at every situation. Whenever he gets any kind of negative feedback or even just general criticism about truly genuine issues here, the first response that it's not seen as a masterpiece results in a crybaby breakdown that's entirely unappealing to sit through and just makes him entirely unlikable. As well, there's also the fact that the film drops off the boogeyman entirely instead by focusing on the guy which drops off the horror elements entirely as these tactics are brought out. These here are what hold this one back overall.


Overview: ****/5
An overall thrilling and enjoyable mockumentary that has a lot to really like about it, the fact that there's a few rather detrimental issues that crop up here do end up bringing this one down. This is highly recommended to fans of found-footage or mockumentary type genre films as well as those who are genuinely curious about it, while those who aren't fans of the general style at all should heed caution.

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